Music, Writings and Art live from the twisted mind of Tokyo Cigar

TOKYO CIGAR THOUGHTS: SNATCH

SNATCH

SNATCH

There are certain things I miss about England. Sausage rolls, Notting Hill carnival, Walking around London, the clubs etc. One of the things I miss the most is the people. Not the snooty rude muthafuckas, but the normal working class, everyday people. It was such a diverse mix of individuals that it was crazy. The ravers, cool kids, hip hop heads, football hooligans, pub crawlers, smart kids, FLY chicks (a fit bird with British accent is still the biggest turn on for me), West Indians, Pakistani’s etc It was a fucking crazy melting pot of Neighborhoods and little worlds within itself. When I was over there I would get so caught up in life that I would never sightsee. Running the streets at night with my cousins was fun, dangerous and ALWAYS interesting. The spots and lives there were breeding grounds for crazy stories.

I said all that to say this. Those same people I spoke about were dramatized perfectly for this movie. Guy Ritchie dug up the best of England’s worst and polished them up for the screen in this movie. Although the story spans 3 different countries. The heart of the story is in merry old England. The characters in the story are memorable as hell. I cant say the word “Bonjour” without picturing Bullet tooth Tony (Vinnie Jones) slamming some dues head in the car door while some 80’s pop plays in the background. Sol, Brick top, Mickey (man this was the moment I realized the Brad Pitt was a fucking ILL actor) and of course Turkish (Jason Statham). All the characters, apart from their various personality quirks, stuck out for one strong reason: DIALOGUE. Man listen, Everybody in this movie was coming out their face in style. Few movies have had me laughing my ass off as much as this. If you’re a rapper, this is a flick your gonna love cause it makes you wanna step your pen game up. Trust me. The “Desert Eagle POINT five o” speech alone is worth the price of admission.

The other part of the equation is the sequencing. The way certain things are hidden from plain sight adds another layer of humor to the scenes they are used for. Scenes also cut in and out in ways that when pieced together play like a classic episode of “Seinfeld”. The technique of one character setting off a chain of events that affect everybody in the film is used to perfection here (when you see the milk scene you’ll know what I mean). Guy Ritchie really pieced together a well though out gem. Stuff like the “I’m coming to London” section had me like “DAMN!!! Dude wasn’t playing”. I feel it was Tarantino influenced in certain bits but what the hell Tarantino himself was influenced by others so it’s just the natural cycle of creation. Guy Ritchie really put his stamp on this movie and consolidated his own crime flick sub genre style. Previously seen on his other masterpiece, “Lock, Stock and Two Smoking Barrels”.

Even if anyone say’s that the movie didn’t “innovate” the gangster genre, you cant tell me it’s not entertaining. This is one of those movies I’ve watched dozens of times and it never get’s old. Seriously. A couple of months back they showed this “Snatch” every other day on cable. I always caught it when ever I saw it was on. It’s like “The Infamous” by Mobb Deep. You pop it in wanting to hear like 2 songs but you always wind up listening to the whole thing. Truly a classic.

So now, tell me one thing…”Do you know what “nemesis” means?”

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